Friday, 25 April 2014

Random Location Shoots #1

Every once in a while, my wife and I just decide to do a shoot out of the blue. This shoot was inspired by us clearing out our loft and a comment made by my wife about it being a nice space to shoot in.
Within a few minutes I was lugging lighting equipment up the ladder while my wife was applying make-up, all at a very silly time in the middle of the night.
Apologies for the quality...camera phone image

With my Elinchrom lighting set up and willing model in the sidelines, we proceeded to take some unplanned images...in the loft :/


This blog is in no way a guide, however, if you need to know about any of the settings or equipment used, please drop me a message and I will happily answer.


More examples of the shoot are available via my FLICKR ACCOUNT

Saturday, 19 April 2014

Sunny f/16 rules...OK!

Here is a really quick one...

If you've not already heard of the sunny f/16 rule, it is a great way to set your camera up for perfect exposures while out in the sun without the use of a meter.

It's particularly useful if you're in a hurry to get your camera ready as it is pretty much fool proof and very quick.

When out on a sunny day follow these very simple steps:

  1. Set your aperture to f/16
  2. Set your shutter speed to match your ISO selection
That's it...simples.

Don't quite understand step 2?

If your ISO is on 200, set your shutter speed to 1/200 and away you go, if your ISO is 100, then it's fine to cheat a little and select 1/125 and so on.

So far I've found this to always be effective for me, I find it a great way to quickly set the camera while shooting in Manual if I'm worried I'll miss something passing by or a silly act by one of my children.

Apologies for the lack of illustrations in this blog but as soon as I wrote it the sun vanished behind clouds :(

Tuesday, 15 April 2014

Light painting with Laser Pointers

Taken with my Nikon D5100 - f/4.2 ISO 100 10"
This is a little technique that I am still toying with myself. 
I'd like to practice a little more but as most of my laser light painting ideas require models, and don't really show the models faces, it can be somewhat difficult to find willing participants without having to fork out a pretty penny for their time which I'd rather not do for test shoots if I can help it. 

This is actually very simple to do as long as you have the following items available:
  • Camera with long exposure
  • Tripod
  • Wireless trigger (optional)
  • Laser pointer
  • Very dark room or night time location
  • Subject (of course)
  • Editing software (optional)
You will need to set up your camera on the tripod and frame your shot with the lights on, or curtains open or if outdoors at night, using a torch, setting your focus to ensure your subject isn't too blurred. Please do keep in mind that if your subject is a living thing, there will always be a little bit of movement but that shouldn't be too much of an issue with this technique.

I was in a dark room and it was also late in the evening so there was very little light outside.
I purchased THESE laser pointers from eBay, although pretty cool, the green one completely stopped working after a few days and I found only the red one was really bright enough for my desired effect...so I stuck with the red for this particular shoot...as you may have already noticed!

As you are using a tripod, you can use your highest quality ISO, in the above image I set mine to 100.
Tests earlier in this shoot had me leaving the shutter open for 30 seconds but I found that this let in too much light and reflections whereas 10 seconds, for me, was spot on but I would recommend playing with your speeds a little to find your own preference.
Using manual mode, and with my aperture up at 4.2 (highest for the focal length I was using on this lens) to capture more of the laser light, I fired my camera off using my wireless trigger and basically scribbled like mad with the laser pointer...

SAFETY NOTICE: Do not point lasers into subjects face, this is dangerous and can damage their eyesight. Good practice would be to ensure they are closing their eyes and are also wearing shades to eliminate blindness!!!

...experiment with different patterns while shooting to get different effects, it also takes a while to get used to how fast you want to move the pointer; too slow and you cover little ground before the shot is completed and let in too much light in any one spot, move too fast and the light becomes a little too weak...but it all depends on how you want the final image to look and once again, if you find yourself running out of time, just increase your shutter speed a little and close up your aperture to accommodate what you require.
If you do not have a wireless trigger, you can use the cameras on-board timer (assuming it has one), you need to avoid using the button on the cameras as the shake may have a negative result on the image.
Your subject, is also a reflective surface...it is great to experiment with different types of clothing materials and styles as they all add a unique effect...especially if shiny.

When I uploaded my images to my computer (I use Lightroom 4), I noticed there was a little more background detail than I wanted as the subject was relatively close to a wall which I didn't want to be visible. With a little tweak of the shadows and highlights, my background was completely blacked out.
If you would prefer to perfect your images in-camera and want a pitch black background then your best options with lasers is a wide open space with nothing behind your subject as anything behind them will be highlighted by your laser.

Just have a play with your camera settings and your scribbling techniques and see what you come up with, I know there are many examples already out there (an example or two at the bottom of this blog) to get inspiration from if you're not too keen on my basic ones. Please do link your own work in the comments section as I'd love to see how you get on with this.
Taken with my Nikon D5100 - f/4.2 ISO 100 10"
Well, this is the first ever time I have written a guide on here, I know it is relatively short and isn't exactly alive with images but please do let me know how you think I did all the same.
If I start getting any requests for guides or reviews, I can start them from scratch (this one was based on a shoot that happened several months ago) and also throw in lots of behind the scenes images/footage from the shoot itself to help illustrate what I am doing to get the results I want.

    
Images immediately above are from the Flickr website. Please click on images to see them in all of their glory along with other works by the photographers that captured them.

Sunday, 13 April 2014

An Introduction

Greetings fellow photographers of all levels.
My name is Jon, I live in the West Midlands in the UK and have been, for many years now, a keen photographer.
I do not claim to be an expert and have no formal training, but in my years as a tog I have completed shoots for jewellery companies and even some well known fashion labels to name but a few.
I have worked in and helped to maintain and run a large commercial studio with amazing state of the art lighting systems accommodating the BBC, ITV and names such as Black Sabbath and the Gadget Show for shoots.

Most of this is behind me now though...listen to me, going on like I'm past it,,,the truth is that I have done all of this within a small space of time and now, at the ripe old age of 34 (very soon to be 35) I only really get to shoot during weekends due to work commitments for my 'real' job.

I therefore consider myself a weekend photographer, but some git beat me to that name so instead, this is weekend photography...very original.

My own photographic journey only really began back in 2009, although I have always loved taking photographs, it wasn't until then that I purchased my first ever SLR camera; the Sony a230.
It was my job as a maintenance man that made me want to purchase the camera. I worked at a high rise student block in central Birmingham and was taken aback by the wonderful view of the city skyline from the roof. I had never really appreciated how great a city could look (especially Birmingham) and just felt the urge to share this view with others. Since then, although landscapes have always been my love, I have expanded into many other areas of photography including portrait, commercial, product, wedding and of course the whole wonderful world of effects and editing.
As for that view...I still miss it although it has seen my work published from local papers all the way to a Cuban Jazz groups album artwork!


In this blog, I plan to post tips that I have picked up either through others (I'll always point credit where it is due) or things that I have figured out for myself as I went along. Please do follow or keep an eye out on this blog for future posts.

If there is anything you'd like me to make a guide on, please do let me know and I'll see what I can put together for you...stay tuned :)